The Other Face of Israel: Women, Struggles, and Dignity
- Caroline Haïat

- Jul 12, 2025
- 3 min read

From the very first minutes, the viewer is immersed in a different universe—one governed by Arab women. Often relegated to the background, here they are at the forefront. The tone is set: women are stepping into the spotlight to be heard. In A Place of Her Own, Israeli filmmakers Adi Toledano and Dana Pney-Gil deliver a documentary of rare emotional intensity, exploring with nuance and restraint the daily lives of Arab Israeli women determined to take control of their destinies.
Set in the village of Jisr az-Zarqa, near Caesarea, the film follows Amina, Munira, and Rawia—three women with different paths but a shared goal: create a center dedicated to women. As a new upscale neighborhood rises on the village’s seaside land, threatening its character, and local violence disrupts their lives, these women confront oppression—both internal and external—together, hoping to change their reality. From this intimate circle emerges a quiet strength and a shared feminine destiny, built in contrast to the outside world.
This film didn't came out of nowhere. It was born from a deeply respectful and committed approach. Director Dana Pney-Gil studied Arabic and before filming, she immersed herself for two weeks living in Jisr az-Zarqa. She forged connections with what she describes as “wonderful” women—women with complex, often invisible trajectories, yet filled with dignity and resilience. This human experience left a lasting impression on her. It was during the Covid pandemic, when the world came to a halt, that she began shaping the project, driven by a desire for remembrance, transmission, and recognition.
The camera stays close to bodies and gazes; from the opening scenes, the simplicity of everyday life prevails. Nothing is spectacular—and that is precisely what resonates. The film’s beauty lies in its ability to reveal the universal from the local, to expose the social and political stakes within a simple living room transformed into a space for dialogue.

The sincerity of the testimonies is very authentic. Amina speaks of her divorce and rejection, Munira shares her quest for independence, while Rawia emerges as a charismatic, clear-eyed rising figure. Through these powerful personalities, an entire community of women finds voice and embodiment. The film captures the complexity of their struggle, as well as the strength of their determination.
A Place of Her Own transforms pain into momentum, fatigue into willpower, and obstacles into collective challenges. This energy is evident in discussions about the women’s center, in the tensions with the affluent Jewish neighbors of the adjacent neighborhood, but above all in the gestures of solidarity that weave a strong human fabric.
This documentary also stands out as a pioneering work on Arab-Israeli society. Where representations are often confined to the lens of conflict, ethnicity, or marginalization, the filmmakers offer another perspective—more subtle, more rooted in daily life, yet no less political. They spotlight women who, without renouncing their culture, refuse to be assigned a passive role. These are agents of change, fully aware of the power structures around them and ready to challenge them.
In just 65 minutes, A Place of Her Own sparks a deep reflection on the place of women in the margins of Israeli society, on the tangible effects of gentrification, and on the quiet but powerful dynamics of resistance.
With great humility, the documentary reminds us that even in the most remote places, women are building tomorrow—not just for themselves, but for all those who will come after them.
Caroline Haïat




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